Katie Toupin (of Houndmouth)
After years on the road with Houndmouth and a brief hiatus while getting settled in Los Angeles, Katie returned to writing. "Moroccan Ballroom" is entirely live, recorded during a session at the Village Studios to film some of her newly-written songs. She was so in love with the outcome that she realized she had to release them: the result is "Moroccan Ballroom," a totally authentic expression of Katie, with no overdubs or editing.
Before "Moroccan Ballroom," Katie toured for many years with Houndmouth, which she formed with friends at the age of 21. Houndmouth was signed by Rough Trade Records and earned international acclaim, and Katie found herself playing notable festivals such as Bonnaroo, Austin City Limits Festival, and Lollapalooza, as well as playing late night slots on David Letterman and Conan. Katie co-wrote the song "Sedona," which reached number 1 on Billboards AAA chart. She released two records with Houndmouth and toured internationally up until her departure from the band in March 2016. Now, with "Moroccan Ballroom," Katie embarks on her next chapter with more soulfulness and freedom than ever before.
“Give me the guitar and I’ll give you the truth," sings Hailey Knox on “Take It Or Leave It,” the groovy lead track off her debut EP, A Little Awkward. She isn’t kidding. Over the course of the EP’s five knockout songs, the 17-year-old singer-songwriter, who built a considerable grassroots fan base through YouTube and live-streaming platform YouNow before signing to S-Curve Records late last year, proceeds to deliver an engaging, candid portrait of her life as a female member of post-millennial Generation Z.
“I try to draw from whatever craziness is going on in my head,” Carmel, NY-native Knox says of her lyrics, “whether it’s relationship drama, being plagued by self-doubt, or feeling like an outsider in school.” With their savvy perspective on modern-day digital-era culture and references to Oreos, Shake Shack, and Dr. Evil, the songs are relatable and charming, like Knox herself — a blue-eyed, blonde with an endearingly goofy, shy demeanor who nonetheless blooms with confidence when she steps onstage with her acoustic guitar and loop pedal. “I called the EP A Little Awkward because that’s me,” Knox says. “I’m kind of scatterbrained and I’m always finding myself in awkward situations."
Throughout A Little Awkward, Knox creates a warm, intimate sound that showcases both her guitar playing and soulful voice – the perfect delivery system for her clever, honest songs. “Take It Or Leave It” is unapologetic in its demand for others to accept Knox as she is, while “My Worst Enemy” is more vulnerable in its admission that she doesn’t always feel so confident. “Loopty Loop” finds Knox riding the rollercoaster of a relationship, while “Awkward” begs a hovering adult in her life to back off. Then there’s her first single, “Geeks,” which Knox came up with during her junior year of high school. “I didn’t really belong in any social group and I would escape to the music building and play guitar,” she recalls. “I felt like an outsider. This song is for anyone else who feels that way.”
A native of upstate New York, Knox seems to have found her place as a performer. Her dad taught her to play when she was seven. “We have a recording of me at age two singing ‘Blackbird’ by The Beatles. I can’t even pronounce the words, it comes out ‘bwack bird,’” she says with a laugh. Knox’s mom shares his affinity for such artists as Ingrid Michaelson with her daughter, and Knox cites the soulful voices of Tori Kelly and Allen Stone as other influences. At 12, Knox and her sister, performing as a duo, began posting covers of their favorite songs on YouTube, which caught the attention of music industry veterans Peter Zizzo and Michael Mangini, who felt they were too young to work with at the time, but kept an eye on them. After Knox received a loop effects pedal as a Christmas gift and posted a solo video of Aloe Blacc’s “I Need A Dollar,” Zizzo reached out again and encouraged Knox to be diligent about posting videos every week and trying to build a fan base through YouTube, which she did. In February 2015, Meghan Trainor tweeted Knox’s cover of Bill Withers’ “Ain’t No Sunshine” and said: “I’m ur biggest fan" (Trainor also tweeted about her obsession with “Geeks” upon its release). Eventually Knox gravitated to YouNow, where she is now one of the live-streaming site’s most prominent, popular broadcasters. Knox was also profiled as a YouNow success story in Billboard earlier this year, and earned a nomination for "YouNower of the Year" at the 2016 Shorty Awards.
Knox burgeoning fan base and obvious musical talent led to her signing with S-Curve Records (home of hits by Andy Grammer, Joss Stone, Leslie Odom, Jr., We The Kings, Fountains of Wayne etc). She then went into the studio with producers Mangini (Joss Stone, Diane Birch), Zizzo (Avril Lavigne, Vanessa Carlton) and S-Curve’s Steve Greenberg (Andy Grammer, Joss Stone) to record the songs that comprise A Little Awkward, which will be released on June 24th. “Music is my escape,” Knox says. “Just picking up a guitar and jamming is my favorite thing to do. That’s how these songs came to be and it’s cool to finally share them with the world.”
Born and raised in small town Alberta, Havelin was always drawn to the bright lights of the entertainment world. Beginning his acting career at 16, after only two years Havelin had left home for Toronto in order to pursue both acting and music.
Havelin released his debut EP, Alright, Alright, Okay, in 2016. Lyrically taking cues from the early influences of Dan Mangan, Tom Waits, and Father John Misty, his words are straight from the heart and his music is kept simple, honest and cutting right to the core.
In 2018, Havelin caught the attention of multi-JUNO award-winning producer Gavin Brown. The two immediately began working on a follow up to Alright, Alright, Okay, a project that has captured the exciting growth and maturation of Havelin’s style and sound. The first single, “The Further I Go”, will be released on Brown’s label Inside Pocket, via Warner Music Canada, on February 1st, 2019.
"The Further I Go” is a reflection on a place becoming a feeling. It's about returning to the place you grew up- the place where you really became a person- and realizing that it's moved on without you. Your old friends have either left or changed, and there's no way to get them back. Your family's adjusted to life without you, and your childhood companion, the family dog, passed away. It's home but it's not yours anymore.